Artists: The "High" and "Low" Arts

Image of Women Needleworkers
Women Needleworkers pose for the camera,
Port Colborne Ontario, 3 July 1909
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In the hierarchy of the art world the classical academic tradition has always been privileged. This kind of 'High Art,' which embraces painting and sculpture, has a necessary corollary; significantly it is the art practices most often pursued by women which have been relegated to the status of 'Low Art' and marginalized as 'craft.' In this way 'women's work', a great deal of which is highly creative and artistic, has nonetheless been considered practical rather than decorative; the product of industry rather than genius.

Quilts are made with more than the decorative arts in mind; they express emotion, beliefs...Every quilter prizes her quilts, hands them down to her family, treats them with a sense of reverence which indicates the importance of them to her sense of self.

(Mary Conroy, 1983)


Ann Newdigate Mills
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Artists such as Saskatoon's Ann Newdigate Mills (Herstory 1990) challenge the assumptions surrounding artistic media. Working in tapestry she creates 'painterly' compositions whose subject matter is more likely to be political than 'pretty.'

Image of Then there was Mrs. Rorschach's dream
Then there was Mrs. Rorschach's dream/You are what you see,
1988, Tapestry
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Then there was Mrs. Rorschach's dream/You are what you see, is from the Look At It This Way series, prepared for a solo exhibition at the Mendel Art Gallery, Saskatoon. The artist is playing with a double irony--the fact that Mrs. Rorschach was also a practising psychologist is over shadowed by her famous husband's career, as the art of tapestry is often relegated to the status of craft by more prestigious media.


Once, while teaching at the Alberta College of Art, Marion Nicholl was asked how she felt being the only woman out of a staff of 165. She replied, "Almost outnumbered."

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